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永诺将推尼康卡口50mm f/1.8与35mm f/2
　　永诺之前推出了佳能卡口的50mm f/1.8和35mm f/2这两枚镜头，根据最新消息，永诺将要推出这两枚镜头的卡口了。目前，佳能口50mm f/1.8的淘宝售价仅为300元，而35mm f/2最低售价也已经跌破六百，可以说是如今单反相机用的，最便宜的几枚自动对焦镜头了。
永诺现款佳能口50mm f/1.8
永诺现款佳能口35mm f/2
　　永诺镜头可以说是国产镜头里最早使用自动对焦的镜头，不过大家所诟病的设计抄袭至今还没有定论。不管怎么说，永诺的尝试还是值得肯定的，毕竟大家都希望中国有自己的镜头生产厂商。目前，的50mm f/1.8D售价大约在600元左右，而35mm f/2D则在2000元上下，因此这两枚镜头具有极高的性价比。我们会继续保持关注，随时为您带来更多相关报道。
　　近期热点新闻：
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　　《将搭载跨时代的AF技术？宾得全画幅传闻》
　　《7-8月发布 外网曝光佳能150D单反参数》
　　《便携利器将升级 理光GR II即将发布》
　　《索尼时间表曝光 新品反复推迟或因故障》
　　《新传闻 佳能5D Mark IV进入测试环节》
　　《4K视频可截取单帧照片 松下发布G7单电》
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工作日上午9:30--11:00;下午1:30--4:00Nikon 35mm f/1.8 DX
&&&&&&&&&&&&&&&&&&& &&
Nikon 35mm f/1.8 DX
& . All rights reserved.
Nikon 35mm f/1.8G AF-S DX (works well on
only, 52mm filters, 6.95 oz/197.0g, 1 foot/0.3m close-focus, ). . I bought mine . You also can get it
biggest source of
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It helps me keep adding to this free website when you get your things through
& but I receive nothing for my efforts if you buy elsewhere. Thanks for your support! Ken.
March 2015
NEW: . The DX lens reviewed here only works on .
Great for: A fast, light, inexpensive normal lens for Nikon's
, especially for use in low-light without flash.
Not for: Film or . For larger DX cameras with built-in autofocus motors like the , ,
and , getting a
instead will also work on FX cameras should you
upgrade later.
Sample Image Files &&&&&&&&
As you'll see below, my 35/1.8 has been my favorite lens on each of my DX cameras over the past years:
Pepper trees and eucalyptus in backlight, 06 March 2015. , , f/8 at 1/30 hand-held at ISO 100, . .
Light, shadow and color, looks great!
Moonrise, 06 March 2015. , , f/1.8 at 1/30 hand-held at at ISO&10,000, . .
Hand-held astronomical shooting? N ISO 10,000 looks great on DX cameras! Note that at f/1.8 only the green trees on the left are in focus.
spring grass in backlight, 06 March 2015. , , f/7.1 at 1/30 hand-held at ISO 100, . .
It's all about light and color. The foreground comes right up to the bottom of the frame, and is of course out of focus.
Crazy-colored tree at night, 06 March 2015. , , f/1.8 at 1/30 hand-held at ISO 1,000, . .
With f/1.8, hand-held night shooting is trivial. This is what my can't do: get brilliant, colorful images shot in the dark without flash. ISO 1,000 is trivial on DX; it's sharp and clean, and with an f/1.8 lens, easy to shoot at night hand-held.
Fine home in Corte Madera, 08 March 2015. , , f/9 at 1/200 at ISO 100, as shot. .
The 35/1.8 is so sharp you can count the nubs on the seed balls on the tree at the left:
Crop from left side of above image. If this is 6& (15 cm) wide on your screen, the entire image printed at this same high magnification would be 40 x 60& (1 x 1.5 meters)!
American Cancer Society Discovery Store, 08 March 2015. , , f/7.1 at 1/200 at ISO 100, as shot. .
35/1.8: Sharp and color the images just look great as-shot! T with Nikon, there's no need to waste time with shooting raw.
Stone, 21 March 2014. , , f/9 at 1/320, ISO 100, VIVID . .
Flower, 22 March 2014. , , f/8 at 1/125, ISO 100, VIVID , +3 Saturation, . .
Flowers, 22 March 2014. , , f/8 at 1/125, ISO 100, VIVID , +3 Saturation, . .
Is it sharp?
30 March 2014. , , f/8 at 1/250 at
ISO 100, VIVID , +3 Saturation.
or . It's so sharp that the biggest sharpness limitation is the heat shimmer of the distant view!
Palm, 28 January 2013. , 35mm f/1.8 DX, ISO 100, f/6.3 at 1/160. .
Surf, 28 January 2013. , 35mm f/1.8 DX,
ISO 100, f/6.3 at 1/160. .
Park, 27 January 2013. , 35mm f/1.8 DX,
ISO 100, f/8 at 1/250. .
San Francisco as shot from the window of a moving car at 60 MPH, March 2013.
, , AUTO ISO 100,
f/8 at 1/250, VIVID
with +3 Saturation and 7 Sharpening. .
Pier, 28 March 2013.
, , AUTO ISO 100,
f/8 at 1/400, VIVID
with +3 Saturation and 7 Sharpening. .
Stop Sign, San Luis Obispo, 5:51 PM, . (2013 , built-in flash ON, 2009 , f/8 at 1/400 at ISO 100.) . .
Little Flowers, San Luis Obispo, 6:20 PM, . (2013 ,
2009 , f/6.3 at 1/100 at ISO 100.) . .
McLintock's, San Luis Obispo, 8:16 PM, . (2013 ,
2009 , f/3.2 at 1/15 hand-held, ISO 800.) . .
Big Sky Cafe, San Luis Obispo, 8:21 PM, .
2009 , f/3.2 at 1/15 hand-held, ISO 800, .) . .
The constellation Orion as seen from
San Luis Obispo, 8:28 PM, . (2013 ,
2009 , f/1.8 at 1/5 second, hand-held freehand, ISO 6,400.) .
Introduction &&&&&&&&&&&
The Nikon 35mm f/1.8 DX is Nikon's newest
normal lens for .
It is especially wonderful for shooting anything hand-held in available light.
. . Shot with a , this 35mm f/1.8, Program mode chose 1/125 at f/1.8, Auto ISO chose ISO 500.
The 35mm f/1.8 DX
on film or , but it does autofocus perfectly with every Nikon, especially the ,
For $199.95, this lens is a must-have for anyone shooting a
in available light and who doesn't already have a fast 50mm lens.
It's a no-brainer for low-light.
It focuses by moving only the rear elements, so the filter mount and front elements don't move at all.
It is unique among lenses because nothing moves in or out externally as it operates. Unlike every other Nikon 35mm, 50mm and zoom lens, nothing moves, so there is nothing sucking air in and out from the outside world as it focuses or zooms. (Of course it doesn't zoom, but every zoom pumps air in and out as you zoom.)
This is a normal to slightly longer than normal lens on DX, seeing about the same
as a 53mm lens sees on FX or 35mm film. (see .)
The 35/1.8 DX
is especially great for use on Nikon's lightest DSLRs because of its small size,
low weight and AF-S auto focusing which works on even Nikon's cheapest ,
cameras. You can get manual focusing at any time simply by grabbing the focus ring:
no switches are required.
If you plan to move to FX or film any time in the next several years, consider a lens which will also cover FX, like the
($4,000) or
($130), which won't autofocus on the
or , but will work perfectly on better DX cameras today as well as FX and film cameras.
The advantage of this new 35mm f/1.8 is that it autofocuses on
and , and that it
allows instant manual-focus override simply by grabbing the focus ring.
For $200 you can't go wrong, especially since
a metal mount and an ass-gasket to keep out dust. (Whoopee-do, the
sells for half as much and has a metal mount, too.)
Nikon 35mm f/1.8G AF-S. .
Compatibility &&&&&&&&&&&&&&&&&
Everything works perfectly on every
digital Nikon, and especially on Nikon's cheapest digital ,
It doesn't work on FX or film cameras: the .
for details with your camera. Read down the &AF-S, AF-I,&
&G& and &VR& columns for this lens. You'll get the least of all the features displayed in all columns, since &G& () is a handicap which removes features.
History &&&&&&&&&&&&&&&&&
Nikon introduced a 35mm f/1.8 lens in 1956 for their
now obsolete rangefinder cameras. The
original 35mm f/1.8 was made though about 1964.
It is completely unrelated to this lens.
Nikon has made many 35mm f/2 lenses over the years for full-frame FX and film cameras.
Specifications&&&&&&&&&&&
&&&&&& && &&
Bottom, Nikon 35 1.8. .
Name &&&&&&&&&&&&&&&&&&
Nikon calls this the AF-S DX NIKKOR 35mm f/1.8G
&&&& and SWM: Silent Wave (focus) Motor.
&&&&: Won't work well on film or
&&&&: Gelded for cost-reduction and removing compatibility with older cameras.
Focal Length&&&&&&&&&&&&&&&&&&
35mm, which on a DX camera will see an angle-of view similar to what a 53mm lens would see on film or on an FX camera.
Optics&&&&&&&&&&&&&&&&&&
8 elements in 6 groups.
One element is , which means a spherical glass element to which an aspherical plastic corrector film has been glued.
It's multicoated, which Nikon calls
Nikon Super-Integrated Coating (SIC).
All of this means that this is
one heck of a fantastic lens technically.
Diaphragm&&&&&&&&&&&&&&&&&&
7 rounded blades.
Stops down to f/22.
Nikon 35mm f/1.8. .
Aperture Ring&&&&&&&&&&&&&&&&&&
Close Focus&&&&&&&&&&&&&&&&&&
1 foot (0.3m).
Maximum Reproduction Ratio&&&&&&&&&&&&&&&&&&
Hard Infinity Focus Stop? &&&&&&&&&&&&&&&&&&
Focus Distance Scale?&&&&&&&&&&&&&&&&&&
Depth-of-Field Scale?&&&&&&&&&&&&&&&&&&
Infra-Red Focus Index?&&&&&&&&&&&&&&&&&&
Filter Thread&&&&&&&&&&&&&&&&&&
52mm, plastic.
Does not rotate.
Lens Mount&&&&&&&&&&&&&&&&&&
Metal, yay!
Rear Gasket (rear moisture seal)&&&&&&&&&&&&&&&&&&
Caps&&&&&&&&&&&&&&&&&&
It comes with a
and the . These could set you back another $25 if they didn't come included.
Nikon 35mm f/1.8 with included caps.
Hood&&&&&&&&&&&&&&&&&&
HB-46 bayonet plastic hood,
Nikon HB-46 Plastic Hood. .
Case&&&&&&&&&&&&&&&&&&
CL-0913 pouch,
Nikon CL-0913 Pouch. .
Size&&&&&&&&&&&&&&&&&&
Nikon specifies 2.1& (52.5mm) extension from flange
by 2.8& (70mm) diameter.
Weight&&&&&&&&&&&&&&&&&&
Naked lens: 6.950 oz. (197.0g), measured.
Lens with HB-46 hood: 7.545 oz. (213.9g), measured.
Nikon specifies 7.2 oz. (205g).
This is the same weight as the current
This is heavier than the
(145g), and not much lighter than the
(230g), reference
(250g) and newest
I can't vouch for
Announced&&&&&&&&&&&&&&&&&&
09 February 2009.
Promised&&&&&&&&&&&&&&&&&&
March 2009.
Delivered &&&&&&&&&&&&&&&&&&
The first shipments
to customers (that's us) from dealers started on 11 March 2009, as
Price, USA &&&&&&&&&&&&&&&&&&
, March 2015.
, December 2012 - April 2014.
, June 2011.
, April 2011.
$199.95 USA, February 2009 - March 2011.
Nikon Product Number&&&&&&&&&&&&&&&&&&
Corrugami inside. I miss the foam.
Performance&&&&&&&&&&&
&&&& &&&& &&&&&&&&&&
&& && &&&&&&&
Overall&&&&&&&&&&&&&&&&&&&&
The 35mm f/1.8 AF-S is great.
It's so sharp it easily can excite aliases, it focuses fast and accurately, and does everything well.
All lenses should be this good at this low a price.
Focus&&&&&&&&&&&&&&&&&&&&
AF speed is the same as every other mid-line Nikon lens. There are
no surprises here.
AF Accuracy
AF is always dead on with my D40.
Manual Focus
Manual focus is easy: just move the focus ring at any time.
M/A - M Switch
Nikon goofed. This switch is supposed to be labeled &A - M.&
The &M/A& position means autofocus. It's called &M/A& because back in the old days, when Nikon had almost caught up to Canon who had been doing this for ten years before, Nikon was trying to show off that you could focus manually while in the AF position.
Paint over the extra M if you're easily confused.
Bokeh&&&&&&&&&&&&&&&&&&&&
Ryan Coloring, . . , f/2.2 at 1/60, ISO 200.
is the character of out of focus areas, not simply how far out of focus they are.
The 35mm f/1.8 lens has fair to poor bokeh, presuming you can get anything in the background out of focus.
Backgrounds go out of focus, but not in the best possible way. You can see that points of light in the background have shifted towards being circles as opposed to even discs, but they usually aren't annoying.
shopping for bad bokeh at f/1.8. .
This is a worst-case example. I've never seen it this bad, and this is an out take. The good shot with a good expression I took from this sequence doesn't show this.
Distortion&&&&&&&&&&&&&&&&&&&&
The 35mm f/1.8 AF-S has a lot of
barrel (bulging) distortion. That' Nikon could have done a better job here. My
pocket camera has half the distortion of this SLR this lens has about as much distortion as a typical pocket camera at its widest setting.
This can be corrected for critical use by
plugging these figures into . These aren't facts or specifications, they are the results of my research that requires hours of photography and calculations on the resulting data.
FX and Film (not recommended)
& . All rights reserved.
Ergonomics (handling and ease-of-use)&&&&&&&&&&&&&&&&&
This lens handles perfectly.
So long as you don't expect depth-of-field or focus scales, everything works great.
Nothing moves on the outside of the lens, except the focus ring, and only then if you move it yourself. All the focusing and everything happens inside the lens, which also makes this a great lens for dust sealing.
Of course if you're doing careful landscape photography you need a focus and depth-of-field scale, but with all the confusion involved in using digital cameras, Nikon figures we'll not have any time time left over after setting all our menus to concentrate on anything actually related to photography, like getting everything in focus.
Falloff (darkened corners)&&&&&&&&&&&&&&&&&&&&
Falloff is invisible
I've exaggerated this by shooting a gray field and
placing these on a gray background. This is completely invisible in actual photos.
Nikon 35mm f/1.8 AF-S falloff on DX.
& . All rights reserved.
Falloff on
is severe, because this lens
doesn't cover FX or film.
Just because we're all curious, here's what happens:
Nikon 35mm f/1.8 AF-S falloff on FX (full-frame).
& . All rights reserved.
It gets worse as we stop down, because the line between image and darkness sharpens, making the limited coverage of this lens more obvious.
The limitation is the rear element. Neither the hood nor filter cause any problem here.
Filters, Use with&&&&&&&&&&&&&&&&&&&&
There is no problem with vignetting, even with combinations of
thick filters. 52mm is actually much bigger than needed, and thankfully Nikon has had the common sense to standardize on 52mm filters, even if smaller ones would do, ever since 1959.
The filter ring never rotates or moves.
Hood&&&&&&&&&&&&&&&&&&&&
Nikon 35mm f/1.8 with HB-46 plastic hood. .
The plastic Chinese hood is
It works well, but doesn't block off as much as it could. Even misusing this lens on full- the hood still cuts off less light than it should.
Lateral Color Fringes&&&&&&&&&&&&&&&&&&&&
lateral color fringes when used on the
, which as a
camera, can't correct for them.
cameras, like the , there are no color fringes at all.
If you worry about this, they are easy to see on a D40, and completely invisible on the D90 and D300.
Macro&&&&&&&&&&&&&&&&&&&&
The 35 1.8 focuses to 1 foot, which is better than most lenses, but not as good as the .
Here's how close it gets on a DX camera:
Full image at 1 foot (0.3m).
A crop from an image at 100% (a 20 x 30& print), as shot on a .
It doesn't get that close, but it stays very sharp. This shot was made at f/13 and ISO 200 on a .
Mechanics and Construction&&&&&&&&&&&&&&&&&&&&
Nikon 35/1.8. .
This is a decent lens. It's not , but it's not all plastic, either.
Barrel Exterior: Plastic.
Filter Threads: Plastic.
Hood: Plastic bayonet.
Focus Ring: P
rubber covered.
Focus Helicoids: Feel like plastic.
Depth-of-Field Scale:
Internals: Plastic with some metal.
Aperture Ring: None.
Mount: Dull-chromed brass.
Markings: Paint.
Identity Plate: Seems like plastic made to look like debossed and planed metal.
Serial Number: Printed on a sticker on the bottom of the barrel.
Ass-Gasket (dust seal at mount):
Noises When Shaken: V this is one of the tightest lenses I've heard from Nikon in a long time. Since it's not a zoom, there is very little shaking around inside.
Made in: .
Sharpness&&&&&&&&&&&&&&&&&&&&
Warning 1: .
Warning 2: .
With those caveats, the 35mm f/1.8 AF-S is very sharp lens, even wide-open.
Here's what I see as tested at infinity on a 12MP D300:
At f/1.8: Great all over. Not quite as sharp or contrasty as smaller apertures, and a little less contrasty in the corners, but you'd never notice anything wrong unless you did split-screen comparisons as I do of the same shot at other apertures.
It's sharp at f/1.8; the key issue is that contrast is a little less than at smaller apertures like f/2.8.
At f/2: A tiny bit better.
At f/2.8: Much sharper than f/2; it doesn't get much better than at f/2.8, which says that this is a very good lens!
At f/4: A tiny bit better than f2.8, but not much.
At f/5.6: Optimum aperture, but not much better than at f/2.8 or f/4. This is a very good lens.
At f/8 and smaller:
limits performance.
Spherochromatism&&&&&&&&&&&&&&&&&&&&
At f/1.8, there is a little spherochromatism.
This means that outlines of out-of-focus highlights are slightly tinged
with green in the background, and with magenta if you have anything out of focus in the foreground.
Survivability&&&&&&&&&&&&&&&&&&&&
Mechanical
35mm f/1.8 is tougher than
most lenses
because the front filter ring is connected directly to the barrel, not the focusing group.
In other words, if you bang the hood or front of most lenses against a wall, you're lucky if you don't
tweak the alignment or screw up the focus mechanism.
With this lens, all you're doing is banging the outer barrel, not the delicate inner workings.
Chemical and Biological
Unlike zooms or most fixed lenses, nothing moves externally, so there is very little air sucked in or out of the lens as it's used.
I suspect this lens will stay cleaner internally, and suck less dust into digital cameras over years of use, than older and more conventional Nikon and Canon lenses.
Compared &&&&&&&&&&&
Compared to the 50mm f/1.4 AF-S
is the same thing, just bigger, and 2.5 times more expensive. It adds a focus-distance scale, but that's it.
The 50mm also works on film and FX, as well as being 2/3 of a stop faster.
On DX, the 50mm lens becomes a short tele or portrait lens, while the 35mm is a normal lens on DX.
Compared to the 50mm f/1.4 AF-D &&&&&&&&&&&&&&&&
() is optically excellent, but uses the old mechanical AF system, so it
won't autofocus on the ,
When it does AF on fancier cameras, the focus ring moves and you have to keep your hands off it.
Compared to the 35mm f/2 AF-D &&&&&&&&&&&&&&&&
was introduced 20 years ago in 1989, and is still sold today.
It uses the old mechanical AF system. It won't autofocus on the ,
When it does autofocus, as it will on the , , , ,
and etc., the focus ring turns and you have to keep your hands off of it.
If you're counting pixels, the 35/2D is not as sharp as the new 35mm f/1.8G, but it does cover film and FX if you plan to upgrade.
I'd pass on the 35/2 unless you're shooting film or FX today. For DX, the $199 35/1.8G is so good I'd not wish the clunky mechanical focus of the 35/2 on you if you're shooting DX and could use the 35/1.8G.
Recommendations&&&&&&&&&&&
This is a wonderful lens, and for only $200, every DX shooter
deserves one of these.
This could be the only lens you ever need for a DX camera.
shooters deserve either the
or, ideally the . It makes no sense to get this lens to shoot at the DX setting of an FX just get an FX lens.
This lens is Nikon's commemoration of the 100th anniversary of
birth. If Henri Cartier-Bresson were starting today, he'd have a , one of these lenses, and that's it.
for use in dim light: a
at ISO 1,600 is at least as clean as film at ISO 400, giving a D40 at least a two-stop advantage. That means this f/1.8 lens on a D40 gathers at least as much light at ISO 1,600 as a 50mm
f/0.90 lens would on ISO 400 35mm film with about the same noise or less, and not even Leica makes an f/0.90 lens. If you have ten grand, Leica does make a
be a fair compromise, except
that there is nothing in focus at f/0.95 due to the nonexistent depth of field. A 35mm lens at f/1.8 has much more depth-of-field.
Ignore some of the press information which claimed that this 35mm f/1.8 is
the fastest DX its not (any
is faster and also covers DX), nor is it the first single-focal-length DX lens: that's the
which came out in 2003.
The only reason not to get one of these 35mm f/1.8 DX lenses is if you plan to upgrade to FX
and if you already have a DX camera with a built-in focus motor, like the D50, D70, D80 or better. If you do, the older
will autofocus on your camera today and do the same thing as this new 35mm f/1.8 DX, and the
will also work great on film and FX cameras when you do upgrade.
That caveat aside, this 35mm f/1.8
has better optical and ergonomic performance than the older .
Deployment
The hood doesn't get in the way.
I'd use it.
I'd leave either a
(NC - UV) filter, or a
on the lens at all
If I was working in nasty, dirty areas, I'd forget the cap, and use an uncoated
instead. Uncoated filters are much easier to clean, but more prone to ghosting, and the laminated Tiffens stay together in one piece even after they've been shattered.
Since the lens doesn't pump in or out externally, if you put a filter on it, it's probably the best lens to take to dusty or sandy areas, since it's least likely to suck anything in as you use it.
By comparison, every zoom lens and al the other 35mm and 50mm AF and MF lenses have to suck air in and out as they focus and zoom.
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have had to take, feel free to help me .
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or , you're family.
It's great people like you who allow me to keep adding to
this site full-time. Thanks!
If you haven't
yet, please do, and consider .
As this page is copyrighted and formally registered, it is unlawful to make copies, especially in the form of printouts for personal use. If you wish to make a printout for personal use, you are granted one-time permission only if you
per printout or part thereof. Thank you!
Thanks for reading!
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Mr. & Mrs. Ken Rockwell,
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March 2009