DXV 解碼器 - Resolume Avenue & Arena Manual
本頁之翻譯: DeutschEnglishEspa?ol日本語中文繁體中文
Avenue 4.5 and Arena 5
Appendices:
DXV 解碼器
Resolume DXV 視頻解碼器是一個硬件(GPU)加速解碼器。透過視頻咭來進行幀數解壓。
由於現今的視頻咭處理效能極大，你可以採用更高的解像度及幀數率，CPU及RAM的效能也不會過度耗用。
DXV 解碼器是個跨平台的Quicktime解碼器，可以在任何支援渲染Quicktime (.mov)檔案格式的視頻應用程式中使用。支援此解碼器的應用程式有：Quicktime Player Pro, Final Cut Pro 7, Adobe Premiere, After Effects, Sony Vegas, Maya, 等。
利用DXV 解碼器渲染視頻非常簡單，因為你無需進行任何素質設定、數據傳輸率、關鍵幀等方面的配置。一切都已經預先配置，希望讓解碼器的運作達到最快速度。你只需要選取DXV 解碼器進行渲染。
要知道更多有關利用視頻應用程式輸出的資料，請參閱下面章節。
使用DXV解碼器的視頻檔案，只有在Avenue播放時才進行硬體加速。如果利用其他軟體(例如Quicktime player)，DXV視頻不會讓視頻咭渲染。因此，只有Avenue才會獲得性能增益。
一般畫質vs高畫質
我們建議採用一般畫質進行編碼。除非你察覺畫面出現很多漸層跳階，否則無需用到高畫質。
編碼質素為DXV3 HQ的時候，生成檔案的大小會增加一倍。因此不建議將渲染設定預設為高畫質，否則硬碟的空間很快就會用完。用一般畫質渲染出現缺陷的時才選用高畫質吧。
無需為你整個DXV2檔案庫重新編碼，亦不要將你的DXV2檔案編碼成DXV3高畫質。若這些DXV2檔案本身有缺陷，它們會一併渲染到新檔案裡面，結果畫質不會有改善，而檔案佔的空間反而增加了。
沒有Alpha vs 有Alpha
DXV解碼器能夠儲存alpha通道的資料。點擊'連同Alpha'的話，alpha通道就會一併渲染。
原檔本身必需有alpha通道，以上的動作才有意義。
如果素材不包含alpha通道，最好還是選取'沒有Alpha'，那麼生成的檔案也會比較小。
以下為你逐步解釋，如何利用各種應用程式建立DXV編碼的視頻檔案：
上面沒有你喜愛的應用程式﹖要告訴我們啊。
Adobe After Effects:
選取 Composition & Add to Render Queue
點擊 the Output Module settings (預設為 ‘Lossless’)
點擊以下的選項:
Format & Quicktime
Format Options & Codec & DXV 3
畫質設定可以保留預設的 100 (改變此值共不會影響輸出的畫質或視頻檔案大小). 要改變畫質, 請於Codec Settings 對話框選取'Normal Quality' 或 'High Quality'。
如想一併渲染alpha通道, 在Codec Settings對話框選取 ‘Normal Quality, With Alpha’ 或 'High Quality, With Alpha',並在Channels下拉菜單選取RGB+Alpha。
Adobe Premiere Pro/Adobe Media Encoder:
在 Premiere, 選取 File & Export & Media
在 Media Encoder, 點擊預設的名稱
(這部分開始，兩個程式的介面都一樣).
選取以下的設置:
Format & Quicktime
Video tab: Video Codec & DXV 3
畫質設定可以保留為 90 (改變此值共不會影響輸出的畫質或視頻檔案大小). 要改變畫質, 請於Codec Settings 對話框選取'Normal Quality' 或 'High Quality'
選取適當的解像度及幀數。請確定你在Field Type下面選取‘Progressive’ ，以及在Aspect下選取‘Square Pixels (1.0)’
* 要一併渲染alpha通道, 請在Codec Settings對話框選取 ‘Normal Quality, With Alpha’ 或 'High Quality, With Alpha',並在Depth下面選取'32 bit'
選取 File & Export
在Export之下, 選取 ‘Movie to Quicktime Movie’
點擊 Options
在'Video'頁面點擊 ‘Settings’
選取以下的設定:
Compression Type & DXV 3
在Compression下拉菜單選取你想要的壓縮設置
Mpeg Streamclip
選取 File & Export to Quicktime
選取以下設定:
Compressor & DXV 3
畫質設定可以保留為 50 (改變此值共不會影響輸出的畫質或視頻檔案大小). 要改變畫質, 請於Codec Settings 對話框選取'Normal Quality' 或 'High Quality'
選取適合的解像度及幀數
Mpeg Streamclip 不支援渲染alpha通道。在'Options'改變設定也無補於是
如無須用到音頻，請確定音頻通道已經關閉。否則MPEG Streamclip會自動加上一條空的音軌
Compressor
拖曳任一預設到你的素材。我們建議採用‘Quicktime ProRes 444 with Alpha’
在Video頁面, Quicktime Settings的旁邊，點擊 Change…
選取如上面Quicktime Pro一樣的設置:
Compression Type: DXV 3
Compression: 選取所需的DXV 3預設
將Pixel aspect ratio設定至‘Square’
Final Cut Pro X, Motion 5
很遺憾, FCPX 與 Motion 5 都不支援渲染到第三方Quicktime解碼器。
FCPX方面, 我們建議渲染至ProRes 422 (HQ), 或ProRes 444，如果你需要保留alpha通道。然後你就可以利用上述的工具進行轉換。
Motion方面, 你可以重覆這個部驟，或者選擇利用Compressor進行渲染(見上面)。How to Make DXV Videos for Resolume: 10 StepsIntroduction: How to Make DXV Videos for ResolumeThis is a tutorial on how to create DXV encoded video clips for use with Resolume Arena or Avenue.
The DXV codec allows your video clips to be decoded by the GPU. The advantages of doing this include:
-Smooth use of the UI
-Playback of more simultaneous layers
-Fast random access for video scratching and reverse playback11Add TipAsk QuestionDownloadStep 1: Download the Free DXV CodecThe first step is downloading the latest DXV codec.
Visit Resolume's website at
then navigate to the downloads tab.
Finally, choose the right one for your Mac or PC computer.
Once the DXV codec is downloaded you will *not* see a shortcut or any obvious sign of it's installation. Instead, the DXV codec shows up as an option when creating QuickTime files on any tool capable of QuickTime export.Add TipAsk QuestionDownloadStep 2: Obtain Free Tool MPEG StreamclipYou will also need a video conversion tool to convert your existing videos to DXV. My favorite is MPEG Streamclip which you can download from here: Add TipAsk QuestionDownloadStep 3: Select a Video to ConvertOnce installed, start MPEG Streamclip and open the video you wish to convert as shown in the picture. MPEG Streamclip will show a transport for previewing the file just opened.Add TipAsk QuestionDownloadStep 4: Exporting the VideoAfter successfully opening the video, select Export to QuickTime from the file menu. This will open a window where you can choose export options.Add TipAsk QuestionDownloadStep 5: Selecting Export OptionsOnce you choose export, choose the DXV Codec from the Compression drop down menu. This is why you installed the DXV codec in step 1, to make this choice available.Add TipAsk QuestionDownloadStep 6: Export OptionsUnless you have a reason to scale the video, just leave the resolution settings as unscaled and all other settings at their default. Note: The DXV codec automatically adjusts its bitrate and quality, you don't need to make any choices of this sort. However, if your source video requires deinterlacing, this is a good time to make those choices as needed. You know a video requires deinterlacing if the resulting DXV shows stripe like breakup during scenes with rapid horizontal motion. If you don't have any problems with this just ignore deinterlacing altogether.
After you click Make Movie you will be presented with a file chooser where you will decide where to place the resulting DXV file.
DXV FIles appear to be QuickTime files to any program aside from Resolume Arena / Avenue and will play in the QuickTime player.Add TipAsk QuestionDownloadStep 7: Batch Conversion of a Whole Video CollectionSome of you have large video collections that need to be converted all in one go. MPEG Streamclip has a feature that helps with this.
Find the Batch List feature under the List menu as shown. After that you will be presented with the batch list window where you can add as many source videos as you wish to convert in one go.Add TipAsk QuestionDownloadStep 8: Add Source Videos to Batch ListThis is where you add source videos for batch conversion Click Add Files to be presented with a file chooser where you can make a multi selection of all the videos you want to add.Add TipAsk QuestionDownloadStep 9: Choose Multiple Files for Batch ConversionSelect the files you wish to convert in the file chooser:Add TipAsk QuestionDownloadStep 10: Choose Batch TaskChoose the batch task you wish to perform. For this example we are choosing QuickTime export, which is how we convert videos to DXV as explained in previous steps. Once you choose the task click OK and you will be presented with the export options we saw before on step 5. Jump to step 5 and proceed until you have selected the destination folder. Now grab a sandwich, it will be a while :)Add TipAsk QuestionDownloadShare made it!Did you make this project?Share it with us!I Made It!Recommendationsby
86 EnrolledEpilog Challenge 9Paper Contest 2018Trash to TreasureAdd TipAsk QuestionWe have a be nice policy. Please be positive and constructive.Add ImagesPostTipsAdd TipQuestionsAsk Question- Resolume VJ Software
Do you want to render to DXV? Are you having problems with it? Look no further.
I want to run Resolume with lots of outputs!
I'm a DJ. Can I use Resolume to sync visuals to my CDJs?
Why is there a microphone icon in my output monitor?
What is the best MIDI controller for Resolume?
When I right click on stuff, the menu briefly appears and then disappears right away. What gives?
Because who likes dealing with IPs, subnet masks, universes and subnets?
Installing & Registering
Download and away we go!
Make your Resolume legit
Let's see what this baby can do!
Je m'appelle Resolume. Tengo 18 a?os. ?mi plac maimu?ele.
The nuts and bolts of Resolume
The key to mixing clips and making your output look good.
What happens in the Group, stays in the Group
Your masterpiece in motion, 60 fps of pure poetry
Decks are like the records in a DJs record bag
It's what the V in VJ stands for, so I guess it's kind of a big thing
A picture is worth a 1000 words
Generative images and live camera inputs
Capture the real world into neat and tidy pixels
Virtual video patch cables.
Master the art of effect magic
More than meets the eye.
How to set up an output to a secondary display on Mac and Windows
Going beyond a single screen behind the DJ
Working with Screens in the Advanced Output
Who wants a slice of pie?
Warp your pie to fit your tummy
LED there be light!
Controlling Resolume
Everything in Resolume is controlled by parameters.
Make parameters bounce to the sound or slaves to the beat
Move beyond the mouse
Controllerism
Control Resolume from your desk and finally be the VJ you always wanted to be
If controlling Resolume was a video game boss, OSC would be its final form
The sound of 400 pigs screaming
Best Practices
Were you rushing, or were you dragging?
Everything that matters at a single glance
Fine tune the flow of your parameters
How to get the most out of your content
Set up your slices and mappings before you even enter the venue
Blend the output of two or more projectors together to create one seamless output
Routing layers and groups to slices is awesome, but use with caution!
Where did all my Beeple clips go?
Every time you sample a big budget movie, God kills a Hollywood lawyer
Sync up and get jamming
The Preferences give you access to settings that affect the way that Resolume works overall.
A walkthrough for most major video applications
The minimum you'll need and what's recommended to get the maximum
These will simplify your life when working with lots of slices
How to create custom fixture personality files
What goes whereDXV 解码器 - Resolume Avenue & Arena Manual
本页面的其他翻译: DeutschEnglishEspa?ol日本語中文繁體中文
Avenue 4.5 and Arena 5
Appendices:
DXV 解码器
Resolume DXV 视频解码器是一个硬件(GPU)加速解码器。透过视频咭来进行帧数解压。
由于现今的视频咭处理效能极大，你可以採用更高的解像度及帧数率，CPU及RAM的效能也不会过度耗用。
DXV 解码器是个跨平台的Quicktime解码器，可以在任何支援渲染Quicktime (.mov)档案格式的视频应用程式中使用。支援此解码器的应用程式有：Quicktime Player Pro, Final Cut Pro 7, Adobe Premiere, After Effects, Sony Vegas, Maya, 等。
利用DXV 解码器渲染视频非常简单，因为你无需进行任何素质设定、数据传输率、关键帧等方面的配置。一切都已经预先配置，希望让解码器的运作达到最快速度。你只需要选取DXV 解码器进行渲染。
要知道更多有关利用视频应用程式输出的资料，请参阅下面章节。
使用DXV解码器的视频档案，只有在Avenue播放时才进行硬体加速。如果利用其他软体(例如Quicktime player)，DXV视频不会让视频咭渲染。因此，只有Avenue才会获得性能增益。
一般画质vs高画质
我们建议採用一般画质进行编码。除非你察觉画面出现很多渐层跳阶，否则无需用到高画质。
编码质素为DXV3 HQ的时候，生成档案的大小会增加一倍。因此不建议将渲染设定预设为高画质，否则硬碟的空间很快就会用完。用一般画质渲染出现缺陷的时才选用高画质吧。
无需为你整个DXV2档案库重新编码，亦不要将你的DXV2档案编码成DXV3高画质。若这些DXV2档案本身有缺陷，它们会一併渲染到新档案裡面，结果画质不会有改善，而档案佔的空间反而增加了。
没有Alpha vs 有Alpha
DXV解码器能够储存alpha通道的资料。点击'连同Alpha'的话，alpha通道就会一併渲染。
原档本身必需有alpha通道，以上的动作才有意义。
如果素材不包含alpha通道，最好还是选取'没有Alpha'，那麽生成的档案也会比较小。
以下为你逐步解释，如何利用各种应用程式建立DXV编码的视频档案：
上面没有你喜爱的应用程式﹖要告诉我们啊。
Adobe After Effects:
选取 Composition & Add to Render Queue
点击 the Output Module settings (预设为 ‘Lossless’)
点击以下的选项:
Format & Quicktime
Format Options & Codec & DXV 3
画质设定可以保留预设的 100 (改变此值共不会影响输出的画质或视频档案大小). 要改变画质, 请于Codec Settings 对话框选取'Normal Quality' 或 'High Quality'。
如想一併渲染alpha通道, 在Codec Settings对话框选取 ‘Normal Quality, With Alpha’ 或 'High Quality, With Alpha',并在Channels下拉菜单选取RGB+Alpha。
Adobe Premiere Pro/Adobe Media Encoder:
在 Premiere, 选取 File & Export & Media
在 Media Encoder, 点击预设的名称
(这部分开始，两个程式的介面都一样).
选取以下的设置:
Format & Quicktime
Video tab: Video Codec & DXV 3
画质设定可以保留为 90 (改变此值共不会影响输出的画质或视频档案大小). 要改变画质, 请于Codec Settings 对话框选取'Normal Quality' 或 'High Quality'
选取适当的解像度及帧数。请确定你在Field Type下面选取‘Progressive’ ，以及在Aspect下选取‘Square Pixels (1.0)’
* 要一併渲染alpha通道, 请在Codec Settings对话框选取 ‘Normal Quality, With Alpha’ 或 'High Quality, With Alpha',并在Depth下面选取'32 bit'
选取 File & Export
在Export之下, 选取 ‘Movie to Quicktime Movie’
点击 Options
在'Video'页面点击 ‘Settings’
选取以下的设定:
Compression Type & DXV 3
在Compression下拉菜单选取你想要的压缩设置
Mpeg Streamclip
选取 File & Export to Quicktime
选取以下设定:
Compressor & DXV 3
画质设定可以保留为 50 (改变此值共不会影响输出的画质或视频档案大小). 要改变画质, 请于Codec Settings 对话框选取'Normal Quality' 或 'High Quality'
选取适合的解像度及帧数
Mpeg Streamclip 不支援渲染alpha通道。在'Options'改变设定也无补于是
如无须用到音频，请确定音频通道已经关闭。否则MPEG Streamclip会自动加上一条空的音轨
Compressor
拖曳任一预设到你的素材。我们建议採用‘Quicktime ProRes 444 with Alpha’
在Video页面, Quicktime Settings的旁边，点击 Change…
选取如上面Quicktime Pro一样的设置:
Compression Type: DXV 3
Compression: 选取所需的DXV 3预设
将Pixel aspect ratio设定至‘Square’
Final Cut Pro X, Motion 5
很遗憾, FCPX 与 Motion 5 都不支援渲染到第三方Quicktime解码器。
FCPX方面, 我们建议渲染至ProRes 422 (HQ), 或ProRes 444，如果你需要保留alpha通道。然后你就可以利用上述的工具进行转换。
Motion方面, 你可以重复这个部骤，或者选择利用Compressor进行渲染(见上面)。Undo (yes really)In the advanced output you can now undo (and redo) all your actions. This is incredibly handy because video mapping can become quite complex and is not always an exact science. Sometimes you need to fiddle the sliders until it’s pixel perfect. You can now work on a complex mapping with the ease of mind that you can always go back in time, like Doc & Marty.Polygon slices (poly what?)This new way of video mapping is so innovative we even had to think of a name for it
We’re calling them Poly Slices. Draw any shape you want and then warp each individual point. Triangles were just the beginning, young grasshopper.SnappingSlices and points will jump into place when they get close enough. So you don't need to find that sweet spot twice. Slice masksYou can now apply a mask to one specific slice by using the new input masking. You can even draw your own shape from scratch.Multi SelectLasso your slices like a cowboy and herd them dawgies to the corral in one mighty swoop.Led There Be LightYou can now start thinking outside the (box) screen because you can now send your pretty little pixels to DMX fixtures. Let them light up in any color, at any time, in sync with your visuals. Better improvised synchronisation between music and visuals is the very first reason why we started on Resolume all those years ago. It’s a very logical step to add the lights to that as well. This way your shows are even more coherent and integrated. Output via BlackMagic DevicesThose fancy BlackMagic capture devices can not only bring images into Resolume. With Arena 5 you can also output via BlackMagic devices. This way you can easily output to another screen on a laptop that might not have multiple outputs. And output to professional SDI connections without having to buy a special expensive videocard that has SDI outputs.SpoutSpout is the Windows equivalent of the hugely popular Syphon on the Mac. It allows you to output and input visuals from one application to the other, all in real-time. So create a sketch in Processing and send that to Resolume or send the Resolume output to the virtual Spout webcam and stream that to YouTube. Spout opens a lot of possibilities because there is already so much other Spout compatible software. Checkout their .PricingNew Arena 5 license: 799 EuroUpgrade Arena 4 to 5: 269 euroUpgrade Avenue to Arena 5: 500 euroNew Avenue 4 license: 299 Euro to your account to purchase your upgrade today.Avenue?Because most of these major new features are media server related and only in Arena there is no major update for Avenue. So you can continue to use Avenue 4 without a paid upgrade.Grace PeriodIf you bought Arena 4 after September 1st, just contact us and we'll upgrade you to Arena 5.Much, much, moreBesides all these major new features we have also fixed many small bugs and made many minor improvements. Read below for the full release notes or NEW - AV set and demo footageNEW - Fixture editorNEW - Virtual screen routingNEW - Drag and drop output presetsNEW - Modifiers galoreNEW - Input slice rotationNEW - Opacity and Bypass toggles on Layer RouterNEW - Preview available as source for Layer Router and SlicesNEW - Create slices and masks by drawingNEW - Screen output delay compensationNEW - Screen output opacity & color correctionNEW - Screen foldingNEW - Slice flippingNEW - Slice Top & Left coordinatesNEW - Slice color correctionNEW - Slice force black backgroundNEW - New interface colours: Minty PinkyNEW - Redesigned toolbar for better read- and click-abilityNEW - Windows large address aware for better memory managementNEW - 8 pixel grid on outputNEW - Improved crosshairsBug fixesFIXED - Support more than one webcam of the same type on PCFIXED - After re-locating a Source, Flash or QC file, any parameter changes are reset to the default valueFIXED - When toggling Mask 1, all other Masks toggle as wellFIXED - BPM Clock pause and resume flips out when using midi clockFIXED - Audio Clip set to play once and playmode away continue does not restart when finishedFIXED - Multiselect reset param doesn’t work when you click on nameFIXED - Noisy effect: Interpolate does not work until show UV is turned on and offFIXED - DeckLink device with no inputs causes other devices not to loadFIXED - BPM set audio clip not responding to pause/BPM after deckswitch.FIXED - BPM Synced parameter also occasionally flashes last 'frame' on ResyncFIXED - Blend Modes are not correctly displayed on Layer PanelFIXED - Deadlock: Opening preferences with cmd + , while audio is playing and apc40mk2 is turned onFIXED - DMX Invert no worky on buttonsFIXED - Retrigger and Continue modes are very confused on AV clipsFIXED - A clip set to 'play once and eject' should not eject the incoming clip during a transitionFIXED - Midi Note piano shortcut on slider should respect min valueFIXED - Add Close button to Timeline popupFIXED - BPM pause doesn’t work for audio clips that are active but in other deckFIXED - Mask drag, drop and copy not functioning properlyFIXED - A clip set to 'play once and eject' should not eject the incoming clip during a transitionFIXED - When retriggering the incoming clip in a transition, the outgoing clip should not restartFIXED - Cross-fader position is not saved in compositionFIXED - Mapping ccs to CrossfaderFIXED - Source duration spinner jumps to min and max when draggedFIXED - Check for illegal characters in savefile nameFIXED - Alpha on a JPEG? What kind of witchcraft is this?Upgrade FAQI have a Res Avenue 4 license but there’s no Avenue 5! Do I need to upgrade to Arena 5 to get the new stuff?No. Avenue 4.5 is a free upgrade for anyone with a Avenue 4.x license. It has all the bug fixes and comes with native Spout support.I have a Res Arena 4 license but Arena 5 is a paid upgrade. Do I have to pay for bug fixes?You don’t. If you don’t want to upgrade to Arena 5 just yet, Arena 4.2.2 is a free upgrade for anyone with a Arena 4.x license. It has all the bug fixes of Arena 5, just not the fancy new Advanced Output. Download Arena 4.2.2 for
and .I just bought Arena 4 last week and now you bring out an update. This sucks!Don’t worry. If you bought Arena 4 after September 1st, just contact us and we’ll give you an Arena 5 license, no questions asked. If you feel we’ve treated you unfairly in any other way, just drop us a line and we’ll work something out.What about feature X ?1?!?!. You said it was coming in Res 5. I really need feature X! I can’t live without feature X!Yeah, that sucks. We wanted to pack so much more features in this release. As it turns out, putting all of that in and getting it stable, would mean you’d have to wait another 2 years for the next version. And we couldn’t let you wait that long. So just make awesome shows with all the cool new stuff that’s in Arena now, and we’ll continue working on all the other things.
Posted by Joris on Monday October 12, 2015 at 13:45
Yes educational upgrades are also -50%. Just log in to your account and you'll see the upgrade options.
Comment from :
Shut up...and take my money!!!!!!
Comment from :
Team Resolume, thanks a million times
for all your dedication to making this great piece of software even better! The new advanced output interface is amazing and will certainly help all of us take our projects to new heights!You guys rock!!Quick question: I can't seem to find the comp for the new AV set but I really want to see it so can you point me in the right direction or post it?
Comment from :
Since you've been beta testing, it hasn't replaced the existing example.avc file. Just delete the example.avc from Doc/Res/compositions and replace it with the one from Applications/Res/default
Comment from :
Got it! Thanks Joris.
Comment from :
So amazing Resolume team.
Killer update.
Since it isn't mentioned I presume Windows version is still not 64 bit?
Would love to not have to walk on egg shells with the application memory limits of 32bit.
Or is the mentioned &larger address / memory management& feature going to help with that?
Thanks again for the amazing update!
Comment from :
Luxcollective wrote:Since it isn't mentioned I presume Windows version is still not 64 bit?
Would love to not have to walk on egg shells with the application memory limits of 32bit.
I think you misundestood memory management.
Who cares about a large memory address allocation when your load don't rise up the 32bit limit? Playing right now 5 layers
dxv clips on random pilot mode, 20 filters applied: using 370mb memory.
Comment from :
Will have to do some more research / process of elimination
as to what is the primary culprit driving up my memory usage to the limits.
There are a few candidates: I often have large set design PNG masks (PNGs are large memory hogs apparently) , often 6 to 8 outputs, comps that are 7000 to 10000 plus
by 1080, etc.
Resolume hits 3gb+ pretty easily on my PC rig and
I am fairly certain that is what is causing crashes. (My very first live show crashes after 12 years of being crash-free on Macs).
The Windows machine is pretty beastly: 8 core, x99, 64gb RAM, Titan X w/ 12gb, Raided SSDs, PCIE M.2 SSD, Datapath Vision AV-SDI-HD card, etc.
What is the memory address feature addressing then?
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When a 32-bit application is large address aware, it can access up to 4 GiB on x64 operating systems and all memory that isn't used by the operating system and other applications on x86. 64-bit versions of Windows require no modifications to the operating system to benefit f however, in 32-bit versions of Windows, you must increase the user memory setting. Taken from
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Is there any CITP functionality added? Must add!!!
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Hi,just wanted to buy it, but the form does not accept my VAT id any more. Which is strange, the same VAT id has been used before (it was remembered), it didn't change and of course it is correct.Marcelp.s. Still no HiDPI display support
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Anyone with account problems should contact us directly on .
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streaming CITP?
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Yes, we need CITP!!
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Really love the new version. Is there no way to convert v4 screen settings over to v5? I was able to get most of my mapping done in an hour because I had to redo it all, but I imagine some touring VJ that have 100+ different mapping will have a hard time with this
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@luxcollective Ok, 6-8 outputs and
comp is way out of my mind right now. You certainly needs more than me, but still think 3gb is pretty good memory amount on the resolume side. Large png can be a trouble, but what about clips, are they all dxv? Cause, imo, calling dshow on windows usually eats your memory in a sec.@Joris, what do you think, am I wrong on this?
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We still have a lot of work we can do in memory management, and making Res large address aware was a small step on that road.At the moment, using .pngs or any non-DXV file at such a large resolution is a sure fire way to push Resolume out of memory. This is something we need to somehow prevent the user from doing. Going 64 bit would help, but it's only part of the solution, because there will always be someone that manages to push even beyond that limit again.Currently, it's best to take our and francoe's advice, and use 1 frame DXVs instead of .png files, it's very, very hard to reach the memory limit.
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In POLYGON input can i insert point inside the plygon mask ?
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Joris wrote:We still have a lot of work we can do in memory management, and making Res large address aware was a small step on that road.At the moment, using .pngs or any non-DXV file at such a large resolution is a sure fire way to push Resolume out of memory. This is something we need to somehow prevent the user from doing. Going 64 bit would help, but it's only part of the solution, because there will always be someone that manages to push even beyond that limit again.Currently, it's best to take our and francoe's advice, and use 1 frame DXVs instead of .png files, it's very, very hard to reach the memory limit.I know we talked about this, but system's these days are standardizing 16gigs and 32gigs isn't even crazy. Why does the angle of attack for the problem need to be &prevent the user from doing& when we are limited to 8 year old hardware standards of 4gigs. From a consumer stand point, pro products I use (Adobe, Autodesk, Pixologic, MAXON, ex) I've paid similar to Resolume prices, has a 64 bit option.Converting all your png's to 1 frame video codec's is a strange pipeline for &professional& software.Thankfully you can make render templates in AfterEffects to convert this stuff in batch but we are assuming everyone has and knows how to operate extra software and it's still a work around.It's cool Resolume support is offering work around's but is Resolume moving to 64bit??
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